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Have You Tested Your Theme Against Your Plot

Creative Writing Tips -

How we usually begin the preparation stage in the writing process is

  • We think of an idea for a story

  • We think of a suitable theme

  • We plot

Once we come up with a theme and we begin plotting, we have to see how the theme and the plot match up. Sometimes as we plot we find that the theme we had initially chosen won’t do.

For example

‘Winning The Lottery Makes Your Life Easier’

Plotting with this theme in mind, we have our characters pay off all their debts, go on endless shopping sprees, go on holidays, etc. We find though that this won’t make a very interesting story. So we spice it up, adding to the theme or coming up with a different one.

“Winning The Lottery Makes Your Life Easier But Everything Has Its Price.”

We can show the characters living the life of the rich for a while before they realize that being wealthy has its problems too…

  • They now fear for their safety

  • Their friends and relatives are constantly harping at their door asking for assistance

  • Etc

This second scenario creates more problems for the characters, so it’s more interesting for us readers.

~~~~~~~~~~~~

The preparation stage is there to prepare before you write. It’s our workbench where we figure everything out. We test our theme, we test our plot and once everything passes the test, then we begin writing.

You can change the theme as many times as you feel it needs changing, while you are in the preparation stage.

The main thing is to make your story interesting.

It’s not a good idea to keep changing the theme when writing the story because then you will have to keep changing the story. This means rewriting.

Figure everything out then write.

Have you tested your theme against your plot?

About The Author

Besides his passion for writing, Nick Vernon runs an online gift site where you will find gift information, articles and readers’ funny stories. Visit http://www.we-recommend.com

mail@we-recommend.com

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Posted by admin on Oct 31st 2008 | Filed in novel | Comments (0)

Beginner’s Blues How to Collect Samples, Testimonials, and References as a Freelancer

Beginner’s Blues: How to Collect Samples, Testimonials, and References as a Freelancer by Brian S. Konradt of BSK Communications and Associates

My samples are self-selling. They gleam behind protective covers in my portfolio and snatch me business. “Wow, I really like this one,” says a new client, studying one of my newsletter samples. “That’s what I want. Can you do something similar for me?”

“I sure can,” I tell the client. “I think we should shoot for four colors, instead of two. And thick texture paper would be better for self-mailing.”

The client agrees. He also agrees to pay me $850 for the 4-page newsletter, half now and the rest when I complete the job.

“Your samples are your most persuasive tools to seal the deal,” advises Mary Anne Shultz, a NY-based freelance writer who specializes in ad copy.

“At least seven out of my ten clients had asked to see some sort of samples before hiring me for the job,” says freelance writer Joan Berk. “Clients want to know what you are capable of doing for them.”

“Even if your new client does not ask to see samples, you must have samples,” says Louie Markowitz, a freelance writer specializing in corporate newsletters. “I show every new client at least one of my samples — a sample that is similar to what they have in mind. This helps me get constructive feedback and insight into what the client wants.”

This is easy for the established freelancer to say, who has collected professional samples over the years and knows that samples sell themselves to clients.

But what about the beginning freelancer who has nothing?

According to freelance writer, Scot Card: “Don’t panic. Many freelancers start at the bottom. It’s where I started. And probably so will you.”

As a beginning freelance writer embarking on a part-time or full-time freelancing career, you’ll need to do a lot of “grunt” work in your field of specialty. Depending on your approach or what you choose, you’ll be doing assignments and working on projects for little or no money, but the payoff will reward you in the long run.

Writing a brochure for a local non-profit organization or writing a press release for your church’s summer events will come in handy the day you need to show your first client what you’ve been up to. But it doesn’t just begin with freelancing to local non-profit organizations or churches. You can tap into many other outlets to collect samples while improving your experience, skills and knowledge before you begin freelancing part-time or full-time.

Your first step to get started is obvious: Take inventory of everything you have written.

Everyone has done some writing in the past: writing term and thesis papers; writing articles for your college newspaper; providing copy for a flier or brochure for an organization; helping your friends write their resumes, or your own. The list goes on.

Of course, a client won’t hire you after he glosses over your high school term paper (with the bright red A at the top) or a short poem you scribbled in a birthday card. But all of your past writings can serve as a benchmark as to where you stand now. You may even possess samples hiding in your closet or lost somewhere in the massive directories of your hard drive, waiting to be reworked and re-edited for a fresh facelift.

Take inventory of all of your writing samples and evaluate them as if you are the client. What grabs your attention? What makes you squint away. Do your samples have anything in common with your specialty? Can you rewrite any of your samples for improvement? If so, redo them and use them to begin your portfolio. If not, listen closely…

Here are some ways, endorsed by established freelancers in the field, that can help you collect samples of your writing, including testimonials and references; but by no means do you have to follow them. Be creative and seek out other alternatives.

Joseph Martenello (technical writer): “I worked as a part-time stringer for my local newspaper for a year. How’d I get the job? I responded to an ad in the newspaper, even though I barely had any writing experience. Next thing I know, I was covering town meetings and local events, boring stuff. I didn’t get paid much — not enough that I could live off — but this lead to a higher paying position writing short features for a while and freelancing for neighboring newspapers for dirt pay…I was able to collect my published articles and put them into a portfolio. Even now, six years later, I’m able to state in my sales letter that I worked as a newspaper reporter. That title has a lot of clout with clients. My clients expect short, tight copy — the type of copy evidenced by my published newspaper clips.”

Judith Corbishley (PR consultant/writer): “I started my so called ‘freelancing’ by catering my writing services to local organizations. You wouldn’t believe the demand for freelance writing in organizations! And the reason why is that many [organizations] will not pay you, at least the non-profit ones won’t. I basically immersed myself in everything I could get my hands on. I wrote press releases, developed brochures, published fliers, you name it. Gradually, my specialty — from having to handle many writing tasks — emerged. I fell in love with PR, and now do it full-time, supporting myself with my writing. And it all started by contacting the director of a local non-profit computer education organization. You can do the same. Check your community newspaper or local bulletin board for volunteer help. Then call up the director or contact person. Ask if they need somebody for writing. Most likely the answer will be yes! You’ll be able to do the writing at home under a flexible deadline. When the time comes to produce your promotional material, you can list the organization as one of your clients. You are under no obligation to state that you’ve worked for free. Leave this information out. Go for it and good luck!”

Brian Konradt (copy writer/DTP publisher): “Years ago I had joined a national writers’ group. I started a newsletter for the organization, out of my own expenses, and charged each member $3 for a copy. I also wrote a press release to publicize the newsletter. My press release was published in three trade magazines. I never made a profit — in fact, I lost money on this endeavor. But I used the newsletter and the published press releases as samples. Members also mailed me testimonials about how much they loved the newsletter and how professional it looked. This was my very first professional sample that I stuck in my portfolio, and possibly, I believe, persuaded my first client to invest in my services. You can do something similar.”

Michelle O’Reilly (copy writer): “Network. Meet people. You got that? My first client came as a result of my being in the right place at the right time with a stack of my bright white business cards tucked away in the fist of my hand. I had attended a marketing seminar that was held by a local business chapter. The seminar had attracted a large gathering of business professionals, entrepreneurs, and other freelancers. There was time afterwards for networking — and that’s what I did. I handed out my business cards to anyone who sounded as if they’d be interested in my writing services. And somebody was interested! A few days later I received a call from a young entrepreneur who was looking for a way to promote a new product. Was I interested in writing a brochure for him? I told him let’s get started, I’m ready, with not even an idea of what I was going to charge him. I only got paid a fraction of the amount I demand now, but it helped me launch my career. Whenever there’s a social gathering in your area, make sure you attend and network. Put your face in front of the crowd. Let everyone know you exist and you have these great skills as a writer. Network. Remember it. It’s a great way to get clients and referrals.”

Andi Lipschein (technical writer): “If you want to get yourself samples, attend a workshop. It’s how I got my first professional sample: a technical manual, critiqued and corrected by the instructor, on how to operate a piece of equipment. My advice is attend as many workshops as you can in your area of specialty. They offer tremendous benefits: you increase your knowledge on the subject, you get trained by a professional, you get hands-on experience, and you walk away with professional, critiqued samples for your portfolio. Many local community colleges and high schools offer writing workshops as part of their Continuing Education series. The information and samples you obtain will last a lifetime.”

Rita Clayborne (PR writer): “I interned my way to success…My experience and skills came from interning for five different public relations firms in New York for two years. I got a lot of hands-on experience — and a lot of headaches, but I learned how to work with deadlines and how to deal with clients. I also got tremendous insight into the field, such as pricing my services competitively, how to tap into my market, and how to make a business succeed. This had a positive impact on the success of my PR business today. You can intern part-time (a couple of days out of the week), or full-time (five days out of the week). I got paid for my work as an intern, but don’t always expect to get paid. Call up some PR firms in your area and speak with the person in charge. Ask if they offer an internship program; if not, ask if they’d be willing to accept you as an intern. You can locate PR firms in the Yellow Pages. Alternatively, you can contact the Cooperative Education department of your local college and ask the director to help you in your search. As an intern, you will collect many professional samples, references and contacts!”

John Palmeri (graphic designer): “When the company I worked for was planning to do a newsletter to celebrate its 30 years of service, I jumped at the opportunity. I was only a stock clerk there, but I was attending college for my bachelor’s degree in Communications Arts, and I had some skills as a layout artist. My boss agreed to let me produce the newsletter, and boy, did I get excited. I didn’t get paid for doing it — although there was a bigger Christmas bonus for me — but it helped me produce my first sample with my name on it. At that time I wasn’t planning to freelance — but that changed down the road when I wanted to make more money doing what I love most: producing newsletters. To this day, I still produce newsletters for the same company I had worked for five years ago. The difference now is I get paid top dollar to produce it, and I’m my own boss.”

NOW WHAT? Once you have samples, you’ll need to prepare a portfolio, plus a brochure or sales letter or web site selling your services. Your promotional material should contain testimonials for hard-hitting power. As a beginner, don’t spend a lot of money advertising your services. The time will eventually come when you’ll turn “pro” and you’ll spend at least 25% of your earnings on promotion. For now, decide to place a small classified ad in your local newspaper, tack up fliers on the bulletin boards at your local supermarkets and libraries, or advertise your services on free job boards on the Internet. See what types of responses you get. Be persistent in your search for clients. Most of all: Don’t give up! The professional is the amateur who had never quit in the first place.

When you get your first client, let the client do most of the talking. You will find that many clients will not even ask to see your samples — so don’t even bring it up. Many clients will accept you as a writer — on your word alone — and will work with you.

Work hard and good luck!

About The Author

© 2003 B. Konradt

Brian Konradt is webmaster of FreelanceWriting.Com (http://www.freelancewriting.com), a web site dedicated to help writers master the business and creative sides of freelance writing. Mr. Konradt was formerly principal of BSK Communications & Associates, a communications/publishing business in New Jersey, which he established in 1992.

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Posted by admin on Oct 30th 2008 | Filed in novel | Comments (0)

Writing from Home It Can Be Great and Not-So-Great for Mothers

I went to school to be a teacher. In fact, I have a B.S. in Education, not journalism.

Due to the hours and holidays, teaching is traditionally thought to be the best work for a mother who wants to keep one foot in the mommy-door and one foot in the career-door. This thought, paired with my love for children and learning, led me to life inside the schoolhouse doors.

Soon though, writing, not teaching, became my real “full time job,” and it’s been years since I set foot behind a teacher’s podium.

There are times I miss teaching and regret I haven’t used my diploma more, but who am I kidding? — freelance writing has to be the best situation for a stay-at-home mother: I get paid, I do something I love, and I don’t leave the kids. What’s more? I can stay in my pajamas all morning!

Sometimes people ask if the lack of structure and absence of a physical “office” bother me and make it hard to concentrate. Sure, I get sidetracked watching a great episode of Rolie Polie Olie with my son every now and then, and I take long, leisurely breaks to chat on the phone or go to lunch, but this isn’t because I “work at home,” it’s because I’m an artist.

I only write when inspired and when it “feels right.” Even if I sat behind a desk all day, I’d still piddle around and get distracted — it’s my nature to jump from project-to-project, then zero-in on a particular piece when the mood strikes me. This is the artist in me. Just as a painter cannot be told, “Paint, now!” a writer cannot sit in front of a blank screen and expect great things to flow.

My best pieces, in fact, are written while I do such things as stand in line at the grocery store and wait at a red light, or during a commercial break from Oprah.

As I’m sure any artist can relate, I usually get a “feeling” when I have a great story brewing in my mind. This is, I think, the blessing and curse of creativity, because sometimes that “feeling” comes in the middle of a dinner party or at two o’clock in the morning and I have to race to find paper and jot my thoughts down. My husband has grown accustomed to me running in the door, heading straight to the computer and yelling as I go, “Can’t talk….got a story on my mind….need to get it on paper!”

So, while I love this profession for its adaptability with the children and being a mother, sometimes the unpredictable nature of my creativity poses a few problems. For instance, if inspiration causes me to stay up until 3 a.m. writing a great column, I’m little use to my high-energy children a few hours later when they get up at the crack-of-dawn.

Yes, I have the luxury of lounging in my pajamas and not going to an “office,” but I struggle with the spontaneous nature of this business and the chaotic schedule it sometimes poses for my children and me.

I guess though, even if things were different and my life was more structured, I’d still be a fly-by-the-seat-of-my-pants kind of girl…that’s just the life of an artist.

About The Author

++You may reprint the above column on your website so long as the following is included the URL address is actively hyperlinked back++

THIS MUST BE INCLUDED: Copyright 2004 Sarah Smiley http://www.SarahSmiley.com - Sarah Smiley’s syndicated column Shore Duty appears weekly in newspapers across the country.

sarah@sarahsmiley.com

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Posted by admin on Oct 29th 2008 | Filed in novel | Comments (0)

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